what scene does lady macbeth tell macbeth to kill duncan
Macbeth
Please see the bottom of the folio and the highlighted text for full explanatory notes and helpful resources.| ACT II SCENE Ii | The aforementioned. | |
| [Enter LADY MACBETH] | ||
| LADY MACBETH | That which hath made them drunk hath made me assuming; | |
| What hath quench'd them hath given me fire. | ||
| Hark! Peace! | ||
| It was the owl that shriek'd, the fatal bellman, | ||
| Which gives the stern'st good-nighttime. He is well-nigh information technology: | 5 | |
| The doors are open; and the surfeited grooms | ||
| Practise mock their charge with snores: I take drugg'd | ||
| their possets, | ||
| That decease and nature exercise argue about them, | ||
| Whether they live or dice. | x | |
| MACBETH | [Within] Who's there? what, ho! | |
| LADY MACBETH | Alack, I am afraid they have awaked, | |
| And 'tis not done. The attempt and non the act | ||
| Confounds us. Hark! I laid their daggers set up; | ||
| He could not miss 'em. Had he not resembled | 15 | |
| My father equally he slept, I had done't. | ||
| [Enter MACBETH] | ||
| My married man! | ||
| MACBETH | I accept done the deed. Didst 1000 not hear a noise? | |
| LADY MACBETH | I heard the owl scream and the crickets cry. | |
| Did not you speak? | 20 | |
| MACBETH | When? | |
| LADY MACBETH | Now. | |
| MACBETH | As I descended? | |
| LADY MACBETH | Ay. | |
| MACBETH | Hark! | 25 |
| Who lies i' the second chamber? | ||
| LADY MACBETH | Donalbain. | |
| MACBETH | This is a sorry sight. | |
| [Looking on his hands] | ||
| LADY MACBETH | A foolish idea, to say a sorry sight. | |
| MACBETH | There's one did express mirth in'southward sleep, and one cried | 30 |
| 'Murder!' | ||
| That they did wake each other: I stood and heard them: | ||
| But they did say their prayers, and address'd them | ||
| Again to sleep. | ||
| LADY MACBETH | In that location are two lodged together. | 35 |
| MACBETH | One cried 'God bless us!' and 'Amen' the other; | |
| Equally they had seen me with these hangman's hands. | ||
| Listening their fear, I could non say 'Amen,' | ||
| When they did say 'God bless united states of america!' | ||
| LADY MACBETH | Consider it non so deeply. | 40 |
| MACBETH | Simply wherefore could not I pronounce 'Amen'? | |
| I had most demand of approval, and 'Amen' | ||
| Stuck in my throat. | ||
| LADY MACBETH | These deeds must not be idea | |
| Afterward these ways; and so, it volition make the states mad. | 45 | |
| MACBETH | Methought I heard a voice cry 'Sleep no more! | |
| Macbeth does murder sleep', the innocent sleep, | ||
| Sleep that knits upward the ravell'd sleeve of intendance, | ||
| The death of each day's life, sore labour'south bath, | ||
| Lotion of injure minds, keen nature'southward 2nd course, | 50 | |
| Chief nourisher in life'due south feast,-- | ||
| LADY MACBETH | What do you lot mean? | |
| MACBETH | Even so it cried 'Sleep no more!' to all the house: | |
| 'Glamis hath murder'd slumber, and therefore Cawdor | ||
| Shall sleep no more; Macbeth shall slumber no more than.' | 55 | |
| LADY MACBETH | Who was it that thus cried? Why, worthy thane, | |
| You practice unbend your noble strength, to think | ||
| So brainsickly of things. Go get some h2o, | ||
| And wash this filthy witness from your hand. | ||
| Why did you bring these daggers from the identify? | 60 | |
| They must lie at that place: get carry them; and smear | ||
| The sleepy grooms with blood. | ||
| MACBETH | I'll go no more: | |
| I am agape to think what I take done; | ||
| Expect on't again I dare non. | 65 | |
| LADY MACBETH | Infirm of purpose! | |
| Give me the daggers: the sleeping and the expressionless | ||
| Are but as pictures: 'tis the heart of babyhood | ||
| That fears a painted devil. If he do drain, | ||
| I'll gild the faces of the grooms withal; | seventy | |
| For it must seem their guilt. | ||
| [Exit. Knocking within] | ||
| MACBETH | Whence is that knocking? | |
| How is't with me, when every dissonance appals me? | ||
| What hands are here? ha! they pluck out mine optics. | ||
| Will all keen Neptune'southward bounding main launder this blood | 75 | |
| Clean from my hand? No, this my hand will rather | ||
| The multitudinous seas in incarnadine, | ||
| Making the green i ruby. | ||
| [Re-enter LADY MACBETH] | ||
| LADY MACBETH | My hands are of your color; but I shame | |
| To wear a heart so white. | 80 | |
| [Knocking inside] | ||
| I hear a knocking | ||
| At the south entry: retire we to our chamber; | ||
| A little water clears usa of this act: | ||
| How easy is it, then! Your constancy | ||
| Hath left you unattended. | 85 | |
| [Knocking within] | ||
| Hark! more than knocking. | ||
| Get on your nightgown, lest occasion call us, | ||
| And show us to be watchers. Be not lost | ||
| And so poorly in your thoughts. | ||
| MACBETH | To know my act, 'twere all-time not know myself. | 90 |
| [Knocking within] | ||
| Wake Duncan with thy knocking! I would g couldst! | ||
| [Exeunt] | ||
Side by side: Macbeth, Human action ii, Scene 3
______ Explanatory Notes for Act ii, Scene 2
From Macbeth. Ed. Thomas Marc Parrott. New York: American Book Co.
(Line numbers have been altered.)
______
In that location is actually no modify of scene hither. Lady Macbeth enters the courtyard equally Macbeth leaves it and waits there for his return from Duncan's sleeping room. Her soliloquy fills upwardly the time during which the murder is performed and her dialogue with her husband on his return carries u.s. on till the knocking at the gate shows that the twenty-four hour period is dawning and the inmates of the castle awaking.
1. That which, etc. Lady Macbeth has fortified herself with a draught of wine against the strain of these terrible hours. This is another proof of her physical weakness.
v. the stern'st good-dark. The grimmest expert-night, or adieu. The owl's cry was then and long subsequently considered an omen of death.
5. He is about it. Macbeth is actually committing the murder.
half-dozen. The doors are open. Lady Macbeth must have unlocked the doors into Duncan's room. Her words in lines [14, 15] evidence that she had been in this room after the male monarch had gone to sleep.
5. the surfeited grooms, the drunken attendants of the rex.
seven. mock their charge, turn their care of the king's person into a mockery.
8, ix. The sleeping-potion which Lady Macbeth had mingled in the possets was so stiff that the grooms were one-half poisoned by information technology.
11. Who's in that location? Macbeth utters these words equally he is returning from Duncan'southward chamber. As he says in line [xviii], he heard a noise, and he probably thought for a moment that some i had surprised him.
xiii. the attempt and not the human activity, an unsuccessful endeavour.
16. Had he not resembled. This reference to her father is one of the few traces of womanly feeling that Lady Macbeth shows. It is a genuinely Shakespearean touch which saves notwithstanding wicked a character from utter inhumanity.
25. Hark! This line is usually accompanied in stage representations past a clap of thunder. This really detracts from the horror of the scene. Macbeth'southward fretfulness are so overwrought that he starts at imaginary noises. His next words show that he fancies he has heard a vox.
26. the second bedchamber, the room next to Duncan's.
27. Donalbain, the 2d son of Duncan, here mentioned for the first fourth dimension.
30. There's. Macbeth is peradventure referring to the "2nd chamber." As he descended he heard some people in it talking in their sleep.
33. address'd them, turned themselves.
25. 2 lodged together. Lady Macbeth, who is trying to quiet her married man, remarks calmly that in that location are two men sleeping in the 2nd chamber, Donalbain and an attendant.
37. hangman'south easily, encarmine hands. In Shakespeare's day the hangman not only adjusted the noose and pushed the victims from the ladder, but in cases of treason chopped up the bodies of the criminals. Thus this phrase suggested a brilliant picture to Shakespeare'south hearers.
38. 'Amen.' The phrase "God bless us" was used equally a charm against witchcraft and the devil. Macbeth, who has sold himself to evil, cannot say amen to this prayer.
44, 45. thought Later on these ways, thought of in this fashion.
45. mad. There is a dreadful irony in these words; Macbeth is half mad already; and before the play closes, Lady Macbeth'southward strong mind breaks down utterly. Cf. v. i.
l, 51. nature's 2d course, Chief nourisher, etc. In Shakespeare's 24-hour interval the 2nd course of a dinner was the most substantial.
52. What do y'all mean? Macbeth is talking so wildly that his wife cannot follow him.
56-threescore. Lady Macbeth tries to recall her husband from his ravings past pointing out the necessity for prompt activity if they are to escape discovery.
59. witness, evidence; the king's blood which would show to Macbeth's guilt.
70, 71. gild ... guilt. The pun on "gild" and "guilt" was doubtless plainer to Shakespeare'south hearers than to united states of america. Aureate was regularly spoken of in the erstwhile songs equally "reddish." Lady Macbeth's ghastly jest was perhaps intended to rouse her married man to a perception of his cowardice; he is afraid to re-enter the chamber of death, she is ready non only to go there, merely even to jest virtually it.
72. knocking. This knocking is explained by the dialogue of the next scene. De Quincey has a famous essay upon The Knocking at the Gate in Macbeth, in which he points out that the knocking makes known that the reaction against the world of unnatural horror, which nosotros take been contemplating, has commenced; that the pulses of life are kickoff to beat over again. The whole essay should, if possible, be read by every student of the play.
78. ane red, entirely crimson.
81, 82. With these lines compare the broken utterances of the sleep-walking scene, v. i. 35, 39, 48, 49, and 68-lxx.
84, 85. Your constancy ... unattended. Your firmness has deserted you lot.
87. nightgown. In Shakespeare's day people went to bed naked. The "nightgown" was the garment they threw effectually them on starting time rising, corresponding to our dressing-gown. Lady Macbeth wants her married man to undress and put on his "nightgown" so that he may appear, when the alarm is given, only to accept sprung from his bed.
87, 88. lest occasion ... watchers, lest necessity summon us, and reveal the fact that we have not been in bed.
xc. To know, etc. This obscure line is an reply to Lady Macbeth's reproach that he is "poorly lost" in his thoughts. Macbeth says in event that he had ameliorate remain lost, "non know myself," than awake to a full realization of what he had done, "know my human action."
91. I would 1000 couldst. This is the first notation of 18-carat remorse that has appeared in Macbeth's speeches in this scene.
________
How to cite the explanatory notes:________
Shakespeare, William. Macbeth. Ed. Thomas Marc Parrott. New York: American Book Co., 1904. Shakespeare Online. 10 Aug. 2010. < http://www.shakespeare-online.com/plays/macbeth_2_2.html >.
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Source: http://www.shakespeare-online.com/plays/macbeth_2_2.html
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